Following my two-hour sections on a previous split album with Brian Grainger, I have returned to Psøma Psi Phi with a solo release. After some urging by Brian to expand on an improvisation I did with my Rhodes electric piano (which was released as part of a charity compilation: https://meganmccarthy.bandcamp.com/album/3067-megs), I sat down in front of the piano for almost an hour and ended up recording my most intimate ambient piece to date.
This album is an aural imagination of distant galactic scapes. “Néphos” is a collage of various sound designs, some more abstract than others, whereas the title track is a 53-minute soundscape with a dronal emphasis.
New podcast for Circles & Spheres, containing various recordings I did in the past four years, some of which unreleased.
The podcast was recorded using an iPad Pro running Traktor + NI Kontrol Z1.
Since the start of this year I try to release something every first of the month through various projects. Five months in, it is time for another Ohrwert EP. “Twelfth Reduct” takes a cosmic spin with two brand new recordings, partly inspired by my sequential music released as Arjen Schat.
Ten years ago today, Dirk Troost (Nano.strike) and I recorded our longest cosmic journey to date under our collaborative name “Elektronikum Ltd”.
“Carinanevel” clocks well over an hour, and was recorded in my former studio “The Foundry” using a double Moog Little Phatty setup and Dirk’s Roland Juno-106, along with a Korg MS2000 and a bunch of Moogerfoogers.
In 2013 I did a remaster for private purposes, but it only seems fitting to make that available for download to celebrate the ten year anniversary.
A transcendental electronic music experience that has a coherence with idm, electro, and contains some elements of early jungle music. But all tracks have a common divisor, they are all ‘made of amber’.
These tracks have been meticulously arranged and produced in order to make the best music I can, without musical constraints or boundaries defined by genres. The recording process took nine months in total, weeks were spent on tweaking and adjusting a song until it sounded finished to me. Each song had to have a perpetual momentum, a certain energy from start to finish. This dedication to sound and arrangement has led to a style of producing that suited me really well, being somewhat of a perfectionist and attentive to details, I was able to put all of my creative energy into this album.