This album is an aural imagination of distant galactic scapes. “Néphos” is a collage of various sound designs, some more abstract than others, whereas the title track is a 53-minute soundscape with a dronal emphasis.
Ten years ago today, Dirk Troost (Nano.strike) and I recorded our longest cosmic journey to date under our collaborative name “Elektronikum Ltd”.
“Carinanevel” clocks well over an hour, and was recorded in my former studio “The Foundry” using a double Moog Little Phatty setup and Dirk’s Roland Juno-106, along with a Korg MS2000 and a bunch of Moogerfoogers.
In 2013 I did a remaster for private purposes, but it only seems fitting to make that available for download to celebrate the ten year anniversary.
A transcendental electronic music experience that has a coherence with idm, electro, and contains some elements of early jungle music. But all tracks have a common divisor, they are all ‘made of amber’.
These tracks have been meticulously arranged and produced in order to make the best music I can, without musical constraints or boundaries defined by genres. The recording process took nine months in total, weeks were spent on tweaking and adjusting a song until it sounded finished to me. Each song had to have a perpetual momentum, a certain energy from start to finish. This dedication to sound and arrangement has led to a style of producing that suited me really well, being somewhat of a perfectionist and attentive to details, I was able to put all of my creative energy into this album.
“| n f | n | t e” allows you to dive into the evocative world of soundscapes and meditative drones. Slow down your pace of life with these five pieces, clocked at around 30 minutes each, carefully sculptured to alter the perception of time and space.
Inspired by a 53-minute electric piano piece I recorded for Psoma Psi Phi, I decided to record another piece with just the reverberated signal of my trusty Rhodes. This approach drastically changed the dynamic of how I play and kept me longing for the wonderful harmonics that were accumulating in the reflections of the reverb. Then I applied the same technique whilst playing on my Waldorf Blofeld. This created a similar result, but with wavetable synthesis and aftertouch added to the equation it allowed for even more expression. Now imagine all of this being stochastically automated and sequenced with a quantized transposition modulation. Fancy words for me engineering the music in such a manner that I only have to synthesize the sound, and press record and stop. Finally, I took it a step further and processed pre-recorded sequences by manipulating its duration on a granular level so that it has similar dynamic features as the live takes, but not a single note was actually played live.
“Arjen Schat | Spectrum” is out now and available on vinyl + digital + stream!
After months of preparation, we are really proud to present the launch of our record label Trésor D’argent by Arjen Schat en Rik de Voogd.
Our aim is to release the creative output of Arjen on vinyl, adding collectors value with each release by keeping the copies low and adding specialties in the form of printed art. Arjen’s sonic identity can be described as sequential ambient music, characterized by its emphasis on complex polyrhythmic sequencing and extensive use of analog synthesizers.
We are kicking off with the album “Spectrum” which is the first full length LP by Arjen Schat on vinyl. “Spectrum” is a contemporary continuation of the Berlin-school of electronic music. Though the essence of the style revolves around analogue synthesizers propagating melodic sequences, the sequences on this album are constantly evolving using an array of complex sequencing methods.
“Spectrum” is pressed on black 140g vinyl, full-colour sleeve, black poly-lined inner sleeve, full-colour insert, and limited to 300 copies worldwide. Every direct order through Trésor D’argent comes with a free download card which makes it easy to download your digital copy of the album.
The Ambex Project is based on ambient experiments using field recordings, various analog synthesizers and sequencers, and a combination of analog and digital signal processing. It alternates between a fine weave of rhythmic elements and ambient soundscapes.
Processed and recorded at Infraklang, March 2013 – November 2016.