A​ˈ​k​ʷ​a​ː​.​ti​.​kus

This album started out as a spiritual successor of “Tracing Rays” (Wil-Ru Records, 2013), an album that was constructed using meticulous sound design and processing. A similar approach was used for “Aˈkʷaː.ti.kus”, but limited to one piece of equipment: a Nord Wave 2 performance synthesizer, processed with my digital audio workstation of choice, Renoise.

The track titles are in line with the aquatic album title, each of them representing a different zone in the ocean, in order of depth.

As the chords gently ripple through each track, the rhythms shift between various forms, deviating more often than not from traditional technoid drum patterns.

https://music.ohrwert.com/album/a-k-a-ti-kus

Dub Diva – Dub Techno Soundset

Recently I collaborated with Martin Stürtzer, Martin Nonstatic, and Luftrum on a soundset for U-He Diva. Really loved working on the sound design and very pleased how the complete soundset turned out.

“Dive into the hypnotic world of Dub Techno with Dub Diva, a collection of 137 expertly designed synth presets, brought to life through the collaborative synergy of Dub Techno artists Martin Nonstatic, Ohrwert and Martin Stürtzer, and sound designer Luftrum. United by their passion, this dream team has joined forces to craft an outstanding compilation of synth presets for U-He Diva.”

NºXX

The ambiguous title “NºXX” refers to both the Latin writing for night and number twenty. Much as “Tenth” (Other Heights, 2010) was a closing album for the Reduct series 1 to 9, “NºXX” is a closing album for the Reduct series 11 to 19.

As the reference in the title to night suggests, the music is all about nocturnal dub vibes, weaving through moonlit ambient clouds.

https://music.ohrwert.com/album/n-xx

Nineteenth Reduct

For the nineteenth installment of the Reduct series I took inspiration from the initial series 1 through 9 with its extended hardware sessions, resulting in two 10+ minute dub techno tracks with a vintage flair.

https://music.ohrwert.com/album/nineteenth-reduct

I N F R A KLANG [Remastered]

Thirteen years after its conception, a remaster of the Infraklang catalog was long overdue. Set up as an audio blog, parallel to the Reduct series, its focus was to release more diverse recordings from the new studio. 

For this album though, I have limited myself to remaster just the Ohrwert recordings, which still clocks in at over 90 minutes. As none of the tracks dip below the ten minute mark, they range from extensive tube-amplified tape echo excercises, to a half-beat crossover between Berlin-school and dub techno, all documenting a slice of time I spent in the studio, jamming into the wee hours of the morning.

https://music.ohrwert.com/album/i-n-f-r-a-klang-remastered

Eighteenth Reduct

These tracks have made several appearances this year on various podcasts. One of the versions has been published on Soundcloud with artwork created by a neural network, which is added as a bonus item. 

Technically, the music is an all-out hardware extravaganza, combining sequential and dub elements with both analog and digital sources. The main difference between the versions is the hihat programming, which, in a subtle way, dictates the density of the music.

https://music.ohrwert.com/album/eighteenth-reduct

Seventeenth Reduct

One year since the last Ohrwert release, a new Reduct has been long overdue. “Roozendaal” was originally composed around a short field recording taken in the heathlands near Roozendaal, but the actual field recording did not make the final cut. However, the original version is added as a bonus track. “C/2020 F3” was inspired by the comet “Neowise” that passed Earth last year and was visible to the naked eye for a few weeks. A photograph of the comet, taken right outside the studio, is added as a bonus item.

https://music.ohrwert.com/album/seventeenth-reduct