A year after setting up my smaller studio, I’ve settled in quite nicely and try to be as prolific as I can, continuing my quarterly releases per project. The name of the studio derives from the chemical formula of the name of the street we live on, which is named after a form of quartz. At its core, the studio is still based around a set of analog synthesizers and sequencers with a touch of digital synthesis and signal processing, but it’s less expandable due to its spatial limitations. Despite these limitations, I try to broaden my horizon by adding more diverse elements and exploring non-western scales, as can be heard on this album.
Out now: “The Clock Of Dreams”, a collaborative album with the wonderful Network 23 from the UK. Three analog sequential frameworks I recorded, filled in by Alan and Simon with an eclectic range of elements, including guitar, samples, loops, and VSTi’s.
Audionautic Research Program was conceptualized in 2008 as a placeholder for experimental space music. The cosmic aspect has carried over, but eleven years later its emphasis lies on long-form live recordings, centered around complex sequential patterns in the vein of the Berlin-school of electronic music.
Out now: “Grenzwellen Drei”, a massive compilation with a boggling 55 tracks featuring artists like Klaus Schulze, Tangerine Dream, Ian Boddy, Hecq, and myself amongst many more. All proceeds will be used for the production of the Grenzwellen radio show, presented by Ecki Stieg and broadcasted on Radio Hannover.
“Al-Amry” is a benefit album with ambient music from Mathias Grassow, NODO, Vincent Pierins’ solo project “Kalymorph”, and Arjen Schat. All proceeds are donated to the Unicef program to provide food for the children in Yemen.
Following my two-hour sections on a previous split album with Brian Grainger, I have returned to Psøma Psi Phi with a solo release. After some urging by Brian to expand on an improvisation I did with my Rhodes electric piano (which was released as part of a charity compilation: https://meganmccarthy.bandcamp.com/album/3067-megs), I sat down in front of the piano for almost an hour and ended up recording my most intimate ambient piece to date.
This album is an aural imagination of distant galactic scapes. “Néphos” is a collage of various sound designs, some more abstract than others, whereas the title track is a 53-minute soundscape with a dronal emphasis.